Tag Archives: Essay

Finding personal meanings in songs – a reminder

The other day while in my car, I heard Semisonic’s ‘Closing Time’ on the 90s on 9 on SiriusXM. A while back, I analysed the lyrics here for Music in Notes and boy, were some Semisonic fans upset when I had pointed out *what I thought* the song was about. I still don’t hear anything about pregnancies and babies in it. I guess it’s some big metaphor that went way over my head and doesn’t change my feelings towards the song.

I thought I should intro the next analysis post with the reminder that as noted on the About page, Music in Notes is about finding your own meaning (or meanings) in a song’s lyrics, to look deeper into the words. If the point of this site was to just tell you what an artist’s inspiration for a song was when he or she was drafting the lyrics, you could just Google or go to Wikipedia for that. You don’t need this site. In fact, I’ll go ahead and tell you now that Jason Mraz wrote the song after getting the heartbreaking news that his best friend had been diagnosed with cancer. But I am sure I am not alone in saying that the song has come to mean more things, personal things, than Jason’s original meaning.

Over the years, I’ve talked to many musicians about their music and what makes them tick. Some of them have told me that they are loathe to reveal the inspiration or be too specific on where something came from, for the reason that they want people who listen to their music to come to their own conclusions. And even if you do know the real inspiration for a song, straight from the artist’s mouth, the wonderful feeling when you come to your own conclusions of what a song is about is priceless.

Why? Because the song then has a personal meaning to YOU. It boggles my mind that we live in a world where there is plenty of information out there and some people are all too content to take someone else’s word as gospel for what something means. Have we become so lazy, so lacking in imagination that we can’t flex the brain muscle that we’ve all been given? If you’re that person, I don’t think Music in Notes is for you. You’re certainly welcome, but this site is meant for the thinkers and the dreamers, those who want more out of a song than what’s on the surface.

I’ve come to understand that this stance on digging deeper is also reflective of what life is all about. Have ever felt adrift, confused about what your life is meant to be and what you’re supposed to be doing here? For one, start peeling off the superficial layers that you have hidden yourself in and come to grips with both your strengths and your shortcomings. It’s a good place to begin.

**PSA ENDS**

“You can fire a rocket at a rocket, it’s the future.”

I’ve had a lot of things on my mind. I haven’t been a very good Webmistress here, and I’m sorry about that. It hasn’t had anything to do with lack of ideas; I’m constantly in the car, listening to a song, thinking, “gosh, that’d be a great song to analyse for Music in Notes…”

At TGTF, it’s a completely different story. We’ve been busy with SXSW 2016 post-event reviews and features but we’re about to put the final post (the 127th!) to bed.

Some stuff went down in Austin on Thursday and Saturday that shook my faith in humankind (broadly) and the music festival format (specifically). As those of you who have followed me on TGTF, PopWreckoning, and DIY over the last 7 years I’ve been a music journalist, I have been to a lot of events all over the world, including 5 SXSWs now. I consider it a great opportunity to be given the chance to go to Austin to cover SXSW.

I suspect what happened (both incidents) happened because of my size (I’m barely 5’3″), my race, and my gender, all of which likely contributed to the idea I was an easy target. I don’t want to make this a feminist issue, because I’m not a fan of that term. I’m probably going to be strung up for this, but I’m into equality and all people treated fairly. There needs to be more peace and love in this world, people listening to one another and having open minds instead of shoving their values down someone else’s throat.

But that doesn’t seem to be the case if you’re keeping up with any of the U.S. presidential election coverage. Living in DC with wall-to-wall coverage of the march to November, it’s felt like a pressure cooker, and SXSW offered a nice respite from all of that. Some people say to me, “it must be really amazing to live in Washington, where all the movers and shakers are!” Yes, if you’re inclined in a certain way, it is. As I get older, I’ve noticed how less and less I engage in what’s considered “proper” DC conversation (read: I haven’t dated in forever). I mean, come on, this was on display on the windows when I went out to eat not too long ago…

Last week, I was given a unique challenge that will see my artistic talents going in a different direction. I’m both excited and terrified by this new project / thing, what will come out of it, and what other doors it will open for me. Some friends have more faith in my capabilities than I do in myself, and the support they’ve put behind me in this new endeavour is and will be invaluable. It couldn’t have come at a better time.

I love the fact that no matter how I look to people on the outside – the automatic stereotypes people have had about me as I walk into a room or walk down the street, or when they meet me in a club – they won’t matter. These people and their incorrect, dangerous stereotypes won’t dictate where this is going to go.

Being treated as an equal. Respected as someone who has something new and different to the table. These are the things that are priceless.

This isn’t the end of Music in Notes, but I foresee this taking a lot of my time in at least the next 3 to 6 months.

Until next time, stay sweet. x

Keane week on One Week // One Band, TWLOHA, and depression

As described in this post from back in April, I have been working on a series of articles about a particular band during my takeover of a Web site called One Week // One Band. I had been thinking about contributing for some time, but I didn’t sit down and starting drawing up an outline until I was on my way to Austin by plane for SXSW 2015. Due to many factors including extenuating circumstances in my department at work in April, physical and mental exhaustion, and preparing to go to England and Ireland to cover music festivals and shows in May, I ended up getting delayed with my writing and had to ask OWOB editor Hendrik if I could have more time. I thank him a whole lot for being so flexible. I knew I really wanted to do a good job with and be proud of the content I would share with the world, and I couldn’t when I wasn’t in an inspired state to write.

I find it strangely coincidental that during my time of listening and relistening to Keane songs I had known so well for this project, I found myself in a bad place emotionally and actually really and truly needed Keane there for me right then. There wasn’t a particular stressor or trigger; things in my life have just snowballed and some incidents on my trip acted like a slap in the face, and in rapid succession. Perhaps it was when I had finally boarded my very delayed flight back to Washington and watched the film ‘version’ of To Write Love on Her Arms (TWLOHA) that my body at last decided to respond to this wakeup call. Had I been anywhere else but in an airplane over the Atlantic, I would have been freaking out, shaking wildly, pacing back and forth. Instead, I excused myself to one of the lavatories and just stayed in there, sobbing for over 15 minutes, blowing my nose, and wiping my eyes until I felt I could emerge and pass myself off as normal.

Right. Normal. Something most people pull off effortlessly every day, and yet on this Sunday afternoon, I couldn’t.

On a nighttime run this past week, I thought about a time some years ago when I was in the office kitchen, waiting in line to use the sink to wash my hands. Two of my coworkers were chatting. I remember the moment vividly, because I’d walked into the room as one of them said to the other that he couldn’t understand how someone could ever feel so bad and hopeless about his life that he would be driven to kill himself. He went to say to the other woman, “it’s unbelievable, I just don’t know anyone who is depressed!” He even laughed about it to her.

What? You’ve never met anyone who has depression? I almost turned around to leave. But I said silently to myself, “no. Stay. You can get through this. They’ll leave the room, and you’ll be fine.”

I sucked in my breath quickly and quietly to prevent myself from gasping. I couldn’t believe what I just heard. Wow, you really have no idea, do you?

That’s the thing about people who have depression. Unless we are physically incapable of getting out of bed and going to work, we look, sound, and generally act like everyone else. Because even on bad days – especially the bad days – we make an extra effort to hide how we feel. These comments I heard at work were not only hurtful to me personally but to each and every person who has struggled with their own battle with mental illness. Trivializing someone’s own struggles or worse, blaming the person for not seeking help fast enough as what happened in the case of the suicide of Robin Williams, just goes to show how ignorant modern society is about mental illness and how it can affect just about anyone.

Anyone. Young or old. Male or female. Rich or poor. With a job or without one. Any race, color, or religion. Depression doesn’t discriminate.

People who have depression have it for their whole lives. Although our lives are a sea of good days mixed in with the bad, and the ratio of the two varies over time, often it’s difficult to make other people see and understand that our struggle isn’t like a switch you can turn on and off easily. Taking medication or seeing a medical professional certainly helps to get you of the dark places you’ve been stuck in, but even with assistance, there are invisible scars under the surface everyone else can’t see.

Music is very therapeutic to me for one very good reason: I don’t need anyone else when I decide to invoke it to help me when I need it. I’ve not had an easy life. Just in the last 5 years, I have been betrayed, left behind, and had my heart broken numerous times. But music has been the one constant even when the people I loved and cared about the most decided to write me out of their lives. I hope this importance of music to me is evident through my week of writing about Keane, even if I don’t go into my personal life on each and every post.

Something I find very special about Keane is that although Tim Rice-Oxley doesn’t avoid talking about sad situations like breakups and broken hearts, overall there is still a lot of positivity, forward thinking, hope, and light in Keane’s songs. It’s easy to write a slow sad song that is nothing but blackness and shadows. It’s much more difficult to write a sad song with an upbeat tempo that makes the listener think of different ideas and outcomes for him/herself. That’s what Tim is able to do and better than anyone else.

‘Sea Fog’ from their fourth album ‘Strangeland,’ for example, sounds mournful because the protagonist has had to come to accept that this journey with his loved one has come to an end. But this acceptance is parallel to the acceptance that this is fate, that everything happens for a reason. And things do happen for a reason. I feel very sure of that. It’s just very hard to see the sun behind the fog when all you’re surrounded by is grey and darkness, to have enough faith that there’s a day on the other side of the night.

I could have given up so many times. But I’m still here. The music I love, including Keane’s, have played a huge part in making sure that I am.

You can read all my posts on Keane on One Week // One Band in chronological order through here.

You’ve got time to realise you’re shielded by the hands of love.

https://youtu.be/hSZWFLkz7lw