Tag Archives: 2009

Wearing a mask protects the immunocompromised from COVID-19 / Song Analysis #62: Rob Thomas – Her Diamonds

Mask-wearing mandates are new to the Western world.  In stark contrast, mask wearing is all too normal in Asia, where large, urban population centers have been prime breeding grounds for virus infection.  In Asia, many people who are ill wear a mask when they go out because they don’t want to risk infecting someone else, a concept that appears lost on too many on this side of the Pacific Ocean.

Illustrated by this image posted last week by @jennykeogh on Instagram, 40% of transmissions of COVID-19 happen before obvious visible symptoms.  As many healthcare professionals have already stressed, you could be in the presence of and close enough to someone who is not showing any signs of infection or distress from COVID-19 and get infected by the virus from them.  This is why we’re being told to wear masks any time we are out in public, even if we are able to appropriately social distance.  As a former biologist, I wear a mask because I would rather not risk the odds of getting infected or passing on the virus to another person.

https://www.instagram.com/p/CCHFcJonGp7/

Why is wearing a mask so important?  As the image also shows, wearing a mask is all about stopping yourself from unwittingly spreading the virus if you are an asymptomatic carrier.  Simply put, wearing a mask reduces the chance that you will give the virus to someone else.  Unfortunately, there have been too many cases in America already where people who have refused to wear masks in public settings have become aggressive and lashed out against mask-wearing mandates and the store employees trying to enforce them.  For some, the thought of wearing a mask is causing fear, driven by psychological and economic anxiety.  A great quote from this Psychology Today article: “If you’re reluctant to wear a mask when required, question any automatic thoughts about others trying to take away your freedom. Most likely their goal is just to keep everyone safe, not to make you buy into a certain worldview or to force you to eat arugula.”

But what if we reframed mask wearing as an act of compassion?  If we were dealing with a visible enemy, like a monster mosquito the size of a fist whose bite caused immediate medical distress, I don’t think we’d have too much trouble getting people to wear masks.  With COVID-19 being invisible, it is impossible to know if it is in front of us or not.

When I see someone walking with a cane or in a wheelchair or a woman heavily pregnant and approaching the doors to a building, my instinct is to open the door for them, and I hope you do, too.  You can physically see the person’s need for your help and assistance.  However, there are many people in the world who have suppressed or compromised immune systems whose illnesses are invisible to you.  Through the simple act of wearing a mask, you’re doing your part in protecting every single one of them who crosses your path from getting infected with COVID-19.  Today’s analysis is on a song written by and from the point of view of a man whose wife is suffering from debilitating chronic illness, an illness that may not be readily apparent to the casual observer.

Title: ‘Her Diamonds’
Where to find it: ‘Cradlesong’ and ‘Her Diamonds’ single (2009, Atlantic)
Performed by: Rob Thomas
Words by: Rob Thomas

Matchbox Twenty were hugely popular when I was in university.  If you ever listened to top 40 radio in the late ‘90s in the DC area, you couldn’t escape their latest single.  Every time I wake up at 3 AM in the morning now, yup, I think of that song.  My best friend at the time was obsessed with the band and Rob Thomas, so it’s not surprising I became a fan of theirs through osmosis.  In my third year of school, Thomas married model Marisol Maldonado.  This wasn’t your average “rock star marries model” relationship.  The couple’s love of animals eventually led to the founding of Sidewalk Angels, an animal advocacy not-for-profit.  To date, the foundation has raised more $1 million to help organizations in America and the Caribbean to care for and protect animals.

I think people have this mistaken idea that when a rock star (or other famous celebrity) marries someone “normal”, it must be a fairy tale.  All marriages, regardless of which husbands and wives we’re talking about, require hard work, and the Thomases had no idea what was ahead of them.  Marisol has been through an absolute nightmare of confounding doctors with “mysterious fever and hives,” hospitalizations, and hair loss and being incorrectly diagnosed, all the while knowing something was seriously wrong.  Though she was considered to have symptoms similar to the autoimmune disease lupus long before, it wasn’t until after surgery to remove a brain lesion in 2015 that she was tested for and diagnosed with late-stage neurological Lyme disease.  Diagnosis of other illnesses followed.

As any person with chronic illness will tell you, diagnosis is only half the battle.  I am not fond of the “spoon theory” because I find it depressing as a concept, but it is a good visual to give your family and friends an idea of how each day in your life might look different.  Personally, I find the debilitating fatigue that may exist with chronic illness one day and not another is one of the hardest things to explain.  How can you, when the next day you may look like you’re fighting fit and completely normal?  For the loved ones in your life, it may be difficult for them to relate and come to grips with your illness and how it can come to define you.  You may not be able to do the same things you used to or be the same energetic person that they remember.

I can relate to some of Rob’s worries and concerns for his wife because I have seen them in and heard them from my own parents.  I imagine writing ‘Her Diamonds’ was quite cathartic for him.  He describes his wife’s tears as “her diamonds on the floor”, parts of her that she has lost.  When you love someone, it’s only natural to want to remove your loved one’s pain and suffering but often times, we can’t.  He feels helpless (“And her diamonds bring me down / ‘Cause I can’t help her now”) because he can’t do anything: “And I don’t know what I’m supposed to do / But if she feels bad, then I do too / So I let her be”.  He hides his emotions from her because as the “healthy” one, he’s supposed to be the strong one: “So I sit down and I cry too / And don’t let her see.

In the public eye as Rob Thomas’ wife, Marisol is valiantly fighting every day to live with chronic illness.  Every day is a struggle, but she is an inspiring role model because she never gives up and has hope that there will be a cure one day to relieve her of her suffering. I encourage you to read her heartfelt and inspiring speech from the 2017 Global Lyme Alliance New York Gala where she was honored here. 

Verse 1
Oh, what the hell she said
I just can’t win for losing
And she lays back down
Man, there’s so many times
I don’t know what I’m doing
Like I don’t know now


Pre-chorus 1
By the light of the moon
She rubs her eyes
Says it’s funny how the night
Can make you blind
I can just imagine
And I don’t know what I’m supposed to do
But if she feels bad, then I do too
So I let her be

Chorus
And she says oh
I can’t take no more
Her tears like diamonds on the floor
And her diamonds bring me down
‘Cause I can’t help her now
She’s down in it
She tried her best but now she can’t win it
Hard to see them on the ground
Her diamonds falling down

Verse 2
She sits down and stares into the distance
And it takes all night
And I know I could break her concentration
But it don’t feel right

Pre-chorus 2
By the light of the moon
She rubs her eyes
Sits down on the bed and starts to cry
And there’s something less about her
And I don’t know what I’m supposed to do
So I sit down and I cry too
And don’t let her see

Chorus
And she says oh
I can’t take no more
Her tears like diamonds on the floor
And her diamonds bring me down
‘Cause I can’t help her now
She’s down in it
She tried her best but now she can’t win it
Hard to see them on the ground
Her diamonds falling down

Bridge
She shuts out the night
Tries to close her eyes
If she can find delight
She’ll be all right
She’ll be all right
Just not tonight

Chorus
And she says oh
I can’t take no more
Her tears like diamonds on the floor
And her diamonds bring me down
Cause I can’t help her now
She’s down in it
She tried her best but now she can’t win it
Hard to see them on the ground
Her diamonds falling down

We Were Promised Jetpacks’ #thesefourwalls10 anniversary – my thoughts

Last Tuesday, I went to go see a band I’d been a fan of for 10 years.

If you think about it, 10 years is a really long time.

Read more about We Were Promised Jetpacks, the 10th anniversary tour in North America for ‘These Four Walls’ (2009, FatCat Records), and my formula for longevity in the business through here at my other blog, The Practising Troublemaker.

Song Analysis #36: Franz Ferdinand – No You Girls

Title: ‘No You Girls’
Where to find it: ‘Tonight: Franz Ferdinand’ (2009, Domino)
Performed by: Franz Ferdinand
Words by: Alex Kapranos

Franz Ferdinand’s third album saw the band go – or attempt, at least – to go in a more dance-oriented direction, and ‘No You Girls’, the second single released from it, was a good indicator of this. Yet the song retained the smart arse, sleazy, leery vocal style we’d come to know from Alex Kapranos. You never knew whether to desire the man or detest him. Witty, yet with such simple lyrics, it’s ridiculously smart, and it’s been a live fan favourite ever since it’s seen the light of day. And why shouldn’t it be? It’s got the catchiest guitar line since their breakout hit ‘Take Me Out’. It’s so catchy, Kapranos himself is singing right along to it at the end. Yet, I think this inherent catchiness might just be taking away from the song’s take home message.

First, the words:

Verse 1
Oh, kiss me
Flick your cigarette, then kiss me
Kiss me where your eye won’t meet me
Meet me where your mind won’t kiss me

Flick your eyes and mine and then hit me
Hit me with your eyes so sweetly
Oh, you know you know you know that yes I love
I mean I’d love to get to know you

Pre-chorus
Do you never wonder?
No, no no

Chorus
No, you girls never know
Oh no, you girls’ll never know
No, you girls never know
How you make a boy feel
You girls never know
Oh no, you girls’ll never know
No, you girls never know
How you make a boy feel
How you make a boy

Verse 2
Oh, kiss me
Flick your cigarette, then kiss me
Kiss me where your eye won’t meet me
Meet me where your eye won’t flick me

Flick your mind and mine so briefly
Oh you know, you know you’re so sweetly
Oh you know, you know that I know that I love you
I mean I, I mean I need to love

Pre-chorus
Do you never wonder?
No, no no

Chorus
No, you girls never know
Oh no, you girls’ll never know
No, you girls never know
How you make a boy feel
You girls never know
Oh no, you girls’ll never know
No, you girls never know
How you make a boy feel
How you make a boy feel
How you make a boy

Bridge
Sometimes I say stupid things
That I think
Well, I mean I
Sometimes I think the stupidest things
Because I never wonder
Oh how the girl feels
Oh how the girl feels

Modified chorus
No, you boys never care
Oh no, you boys’ll never care
No, you boys never care
How the girl feels
No, you boys never care
You dirty boys’ll never care
No, you boys never care
How the girl feels

Oh, how the girl feels
Oh, how the girl feels

Now, the analysis:

I struggled for a long time on whether I wanted to do an essay about the topics explored in ‘No You Girls’, using it as one example for a broader piece, or just a straight-forward analysis. I’ve decided to do something in the middle. It all started from a couple weeks ago, when I woke up with the ticking of this song’s guitar line in my head. I thought it was strange that it should come to me all of a sudden. I don’t even own this album, so it’s not like a song that I had on repeat in my life at some point. But then I considered why I was thinking about this very song. I might be wrong, but I have a theory, which goes back to why I wanted to write that essay in the first place.

At the basic level, ‘No You Girls’ is about attracting the opposite sex, how such attempts at attracting are interpreted by the recipient, and what feelings are felt by the sender. Physics tells us “opposites attract”, at least when it comes to electromagnetic forces. As we all know however, love is never that simple. Even before you can get to love, you’ve got to make sure the other person is even receptive to the mere fact that you like him/her.

It’s easy to get lost in the chorus of ‘No You Girls’ because it’s oh so catchy, and I bet this was done on purpose. The rhythm of the chorus appears three times. The first two are identical and sung from the perspective of a man (Kapranos). But then you get to the end. Hmm. Uh huh. Has he changed sex? Because all of a sudden, he’s singing it as if he’s a woman. The words slightly change too. Genius, I tell you.

In the male versions of the chorus, he’s telling off a woman, saying, “no, you girls never know / how you make a boy feel.” I was talking to a good guy friend of mine and he was saying how true this sentiment was, that it’s not just the women who want the fairytale relationship, guys are not only capable but often think of relationships in such dreamy terms. As a woman, it never occurred to me to think this way, to think that a man might have similar hopes and dreams about relationships like us women. After all, most girls I know and I were brought up by our fathers to think that most men are not to be trusted and they only have one thing on their minds. Of course, as I’ve gotten older, I’ve met plenty of men / guy friends who don’t fit this profile (thankfully!), but I think the general consensus still is that men don’t feel about love the way us women do. I am quick to point out that all men are not the same, just as all women are not the same either. (Case in point: the female player.) Either way, ‘No You Girls’ gives you some definite food for thought.

When Kapranos assumes the female role, the words have now changed to “No, you boys never care / How the girl feels.” When the song was controlled by a man, he was telling a woman that women never seem to consider the feelings of a man. Now as the song is being sung by a woman, she is telling men that men don’t even get to the point of consideration. No. They just don’t care.

He gets to this point of changing from a man to a woman via the bridge, which comes across as playful:

Sometimes I say stupid things
That I think
Well, I mean I
Sometimes I think the stupidest things
Because I never wonder
Oh how the girl feels
Oh how the girl feels

It’s kind of adorable the way Kapranos is stumbling in his words. I think this was meant as also. This ‘stumbling’ is also apparent in the first verse, when he can’t seem to form a sentence and tell the girl he has his eye set on that he’d like to get to know her better (“Oh, you know you know you know that yes I love / I mean I’d love to get to know you“). It also reappears in the second verse, when he seems to confuse his needs with his feelings (“Oh you know, you know that I know that I love you / I mean I, I mean I need to love“).

In the bridge, he has a thought about what he says out loud and how he might come across to other people. But halfway in the middle of his thought, he realises this might come out all wrong. Or maybe what he really meant was the things he says – a direct product of the way he thinks – are the source of ‘stupid thoughts’ and he reaches this great epiphany. “Hey, wait a minute. I’m railing off about how women are always treating us men badly, being terrible flirts, etc. But now that I really think about it, I never wonder how the woman feels.” And really, what’s worse, being the male target of female flirting going nowhere, or being a woman whose man never truly considers her feelings? There’s no right or wrong here. Depending on the person on the receiving end, both can feel pretty rotten.

Yes, there’s sexual innuendo in this song, and I’m not going there. (If you see and hear it, you’ve probably already figured it all out for yourself.) What I find far more compelling about the song are two things: 1) the cocksure way it’s sung, even though Kapranos is complaining about female flirtation habits and how women turn on men (and presuming this is not at all accidental), and 2) the reversal of roles when Kapranos comes to realise that it’s not just the women who are at fault. Or maybe the word ‘fault’ is wrong: has this all been a big misunderstanding between the sexes?

And I like how this song goes there, to question both sides of the story. While ‘No You Girls’ won’t win any awards for provoking any great sociological debates, the lyrics alone allow the song to transcend normal pop song boundaries.

Lastly, the song, in promo form, as an over eyeliner-ed Alex Kapranos and co. serenade what appear to be pinup girls from the future. I guess he is as perturbed by the women as they are of him? Hmm…