These days, Muse appear to have lost the plot: incorporating dubstep into their latest album ‘The 2nd Law’, they’ve become less the power house they once were. There is also the matter of Matt Bellamy, who I have accepted is a songwriting genius, but he comes across as an altogether too proud peacock (even for a male rock star) and it’s when I think about how larger than life his stage persona is, I feel bad for drummer Dom Howard and bassist Chris Wolstenholme, who have to be “okay” with their leader’s various machinations.
Playing ‘Supermassive Black Hole’ reminds us that there was a time before the 2012 London Olympics when Muse were the best in their genre. It’s taken so long for America to get on board the Muse bandwagon and the timing of their success here is quite funny, given that they’re now trying a different direction. With less prominent bass. Groan. I wonder what Wolstenholme thinks of the band now, after doing this great interview with Bass Player magazine in 2009.
It drives me insane when I talk to a casual music fan and they’re saying how great a guitar solo is in a song or how great Guitarist X in a band is. I’m not dissing guitarists and their expertise, but bass players don’t get a lot of credit because people can’t seem to hear or appreciate what they’re playing, unless you’re 1) a bass player yourself or 2) looking specifically for the bass line. One time when I was small, I asked my dad how come the parts for the guitar in a song didn’t match the melody that was sung by the singer, the part I sung along to. He explained that all the parts in a band were supportive to the overall playing of a song and that’s why when you took one part out by itself and played that section, it sounded nothing like what it would sound like if all the parts were playing together at the same time. His was a perfect answer to a child’s question and gave me a measure of awe that all these parts put together make a song? Wow! I sometimes wonder what he thinks about me playing bass instead of piano now. He is probably chuckling.
Below I’ve embedded a very nice bass cover I’ve found (played on a really, really gorgeous axe to boot!), along with the band’s performance of the song at the War Child benefit at Shepherds Bush in February 2013. As is typical with most of these filmed performances of bands, much of the attention is given to Bellamy, but it’s good that they’re still willing to play the “classics” (god, I feel old) and Wolstenholme gets some screen time.
Title: ‘Bizarre Love Triangle’ Where to find it: ‘Bizarre Love Triangle’ 12″ single (1986, Factory Records) Performed by:New Order Words by: presumably Bernard Sumner
I have a great love of ’80s New Wave. Even before I could comprehend who the bands were that were responsible for songs I heard on the radio, I loved them. Sometimes I wish I still had that innocent, wide-eyed ability to listen to songs without any preconceived notions because now as a music editor, I usually have some background knowledge of a band and/or can compare new artists coming out with some group that’s come before and that colours the way I will receive the music.
‘Bizarre Love Triangle’ was a song I fell in love with initially for the electronics and synths, so it’s quite funny that my first radio run-in with Steve Lamacq live on 6music included him calling me “the sucker for the synth”, which used to describe me very well. (These days, I listen to a lot more back to basics rock ‘n’ roll – it’s a long and sordid story – and synth-driven dance music has taken a backseat in my life.) But I will still queue up this New Order track and remember those childhood days when all that important to me about a song was a beat you could dance to.
First, the words:
Verse 1 Every time I think of you
I feel shot right through with a bolt of blue
It’s no problem of mine
But it’s a problem I find
Living a life that I can’t leave behind
There’s no sense in telling me
The wisdom of the fool won’t set you free
But that’s the way that it goes
And it’s what nobody knows
Well every day my confusion grows
Chorus Every time I see you falling
I get down on my knees and pray
I’m waiting for that final moment
You’ll say the words that I can’t say
Verse 2 I feel fine and I feel good
I’m feeling like I never should
Whenever I get this way
I just don’t know what to say
Why can’t we be ourselves like we were yesterday
I’m not sure what this could mean
I don’t think you’re what you seem
I do admit to myself
That if I hurt someone else
Then I’ll never see just what we’re meant to be
Chorus x2 Every time I see you falling
I get down on my knees and pray
I’m waiting for that final moment
You’ll say the words that I can’t say
Every time I see you falling
I get down on my knees and pray
I’m waiting for that final moment
You’ll say the words that I can’t say
Now, the analysis:
I should start this analysis with the fact that many New Order fanatics think this song is about drugs. However, going on from my introduction to this post, I’m going to assume this isn’t true and go with what was my gut feeling once I tried to grasp the song’s meaning when I was a teenager.
I’ve been involved with a couple love triangles that I would definitely call bizarre. And frustrating. But this post will describe what I went through when I was in school. I don’t know if it had to do with my maturity or my introvertedness, which has admittedly gotten better over the years by forcing myself to interact with like-minded music fans and the bands I have grown to love. But much of my high school life revolved around acting as a young Dear Abby to my friends, guys and girls who were in emotional turmoil because they weren’t sure if they should ask Girl X out on a date or they were scared to death about asking Guy Y if he wanted to go to the homecoming dance. The phone in our kitchen would ring when I was doing my maths homework and I’d answer, knowing that inevitably on the other end of the line would be a friend needing relationship advice. Why they came to me, I don’t know. Maybe they knew they could trust me (I wasn’t a gossip) and I wouldn’t judge.
This is something about my personality that continues to this day. I guess that’s why my interviews with bands always come out well. Some bands have told me that talking to me is like coming to talk to a therapist and they’re willing to tell me their innermost thoughts because they can sense they can trust me. And hearing that feels quite good that I am trusted.
Often times with my school friends, I’d be facing a difficult internal battle inside, especially if the boy in the situation, either the one asking me directly for advice or the one who was going to be asked, was someone I borderline fancied. In such a situation, you start to wonder why you’re not the one being asked and it can be quite hurtful. At the time, I took it very badly internally but had to keep a brave face on the outside because at the time, my self-esteem had taken such a hit: I had been very ill as a child and I never considered myself attractive or worthy of anyone’s attention.
“But that’s the way that it goes / And it’s what nobody knows / Well every day my confusion grows”: a lot about being in love has to do with the mixed up way it makes you feel. I was never in love with any of these boys I knew in school; when you’re that age, everything tends to be really superficial and the attraction ends up being about looks and popularity and the thought that “going out” with someone meant fun times. I was a bookworm boffin and not popular, though oddly I was friends with several jocks who came to me needing help with their German or calculus. In particular, there was one guy I knew who was known as our school’s track star and everyone liked him.
I have no idea why he would hang around me in the early mornings before class began and he certainly never showed any romantic interest, but boy was I upset inside when I saw him going to dances with other girls. And I just accepted he’d never ask me. “There’s no sense in telling me / The wisdom of the fool won’t set you free”: does this translate to “ignorance is bliss”? Not sure. But even back then, hearing the words “there are plenty more fish in the sea” would make my blood boil. It provokes the same reaction in me. I’m the kind of person who doesn’t fall in love very often. In fact, I’ve fallen in love exactly 3 times in my life. I think when I was younger I just assumed that the Right One would come along and I would know it, but the first 2 times, I’d made a horrible mistake. This third time remains to be seen…
In ‘Bizarre Love Triangle’, I particularly like the chorus for not just the way Bernard Sumner sings it – which in my opinion is as emotional and full of longing as you’re going to get in a dance song – but for what it says to me. “Every time I see you falling”, every time you’re in a bad spot and you might need my support, “I get down on my knees and pray / I’m waiting for that final moment / You’ll say the words that I can’t say”, you’ll realise that what you needed and wanted all along was right in front of you and you’ll be able to say you love me. How many times have you wished such to happen and it never did? How many times have you prayed or asked a divine being for guidance because you really wanted something or someone and you were hoping for assistance?
Maybe it is something about specifically about childhood, about not knowing about what adult life is all about, that makes us think things that happen are total and final. I recall my brother saying, “no one is going to care about your high school GPA after you get into college. Let it go.” But young minds don’t work that way. The kids that came to me for relationship advice? They thought their lives would be over if they asked out someone they liked and the other person said no. Because we had next to no experience in rejection. And what constituted “love” for that matter. If only we all knew back then how little things these things would mean in the whole of our lives.
Who said electronic couldn’t be emotional? They certainly haven’t listened to New Order.
Lastly, the song in two forms, first with its strange trampoline-centred promo video by American artist Richard Longo, and second, video of when I finally got to see Sumner perform this song live with his then band Bad Lieutenant at Roskilde 2010. (My less great video is here.) Let’s just say about the latter that I was verklempt.
Title: ‘Soak Up the Sun’ Where to find it: ‘C’mon C’mon’ (2002, A&M) Performed by:Sheryl Crow Words by: Sheryl Crow
I know all the lyrics to this song by heart. Why? I roomed with a friend one year and he was working as musical director of an a capella group, and he arranged this song for their singers. He must have played the hell out of that song, oh, hundreds of times and I could heard it through the walls of our flat.
When I went out for a run last Sunday, I queued this song up on my mp3 player and wham, bam! The song had a completely different meaning to me than it did years ago. Just wow. A quote from one of my favourite films seems particularly apt right now: “Sometimes we don’t see certain things until we’re ready to see them in a certain way”. Indeed.
First, the words:
Verse 1 My friend the communist
Holds meetings in his RV
I can’t afford his gas
So I’m stuck here watching TV
I don’t have digital
I don’t have diddly squat
It’s not having what you want
It’s wanting what you’ve got
Chorus I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up
I’m gonna soak up the sun
I’m gonna soak up the sun
Verse 2 I’ve got a crummy job
It don’t pay near enough
To buy the things it takes
To win me some of your love
Every time I turn around
I’m looking up, you’re looking down
Maybe something’s wrong with you
That makes you act the way you do
Chorus I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up
Pre-bridge I’m gonna soak up the sun
While it’s still free
I’m gonna soak up the sun
Before it goes out on me
Bridge Don’t have no master suite
But I’m still the king of me
You have a fancy ride, but baby
I’m the one who has the key
Every time I turn around
I’m looking up, you’re looking down
Maybe something’s wrong with you
That makes you act the way you do
Maybe I am crazy too
Chorus I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up
I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up
Outro I’m gonna soak up the sun
Got my 45 on
So I can rock on
Now, the analysis:
There’s definitely more to this song than meets the eye, and it’s very interesting in that respect, because I am positive when the song came out years ago, it came across to most people as a poppy, peppy, sunny, song of fluff. The official video that goes with it does not help matters. But it’s not a straightforward love song but rather one that shows the voice of the song appealing to her other half to stop being depressed and look on the bright side of life. (No Monty Python jokes, please.)
One theme of this song is money can’t buy you happiness. Our protagonist “can’t afford his gas” to get to her boss’ meeting, she’s watching tv without digital cable (oh, the horror!), yet she fully recognises “It’s not having what you want / It’s wanting what you’ve got”, probably one of the best lines about life ever written. It’s very true. We get so caught up with keeping up with the Joneses and coveting our friends’ gadgets and lifestyles that we forgot all too often that our lives, as they are, are pretty damn good. My grandmother used to repeat the adage, “you have health, you have everything.” I used to hate it when she repeated that phrase over and over again, but I’ve come to the point where I agree with her entirely. No-one’s lives are perfect, but what we do have, whatever it is we have, is pretty good. We’re alive. We have things to look forward to when we get up every morning.
But if you’re suffering from depression, you don’t feel that. I’ve been through some pretty bad times. Important people in my life passing away. Being in hospital and very poorly. Even these days every once in a while, I’ll get up and wave my fist at the sun when I’m particularly blue. It’s like the sun is mocking me. Everyone else is happy that the sun is shining…but I haven’t gotten the memo. For those moments, it’s a struggle, but in order to live, you’ve got to force yourself and think “I’m looking up” in “every time I feel lame”.
Which leads me to what I think this is a unique twist to the song: the person singing it has troubles in her life too, she’s not perfect either! But she’s coping, as evidenced in the bridge. She’s not wealthy, but she’s in control, which is most important to her (“Don’t have no master suite / But I’m still the king of me”). She sees her other half with “a fancy ride” but insists “I’m the one who holds the key”. Is the key happiness for him, her being able to give him this happiness? It’s not literally the key to drive the car, of course. “Every time I turn around / I’m looking up, you’re looking down”: she’s trying to be positive, but he’s always down in the dumps. “Maybe something’s wrong with you / That makes you act the way you do” – hmm, is this the depression? Is she spelling it out for him? It’s almost like she’s trying to give him an out. But to bring levity to the situation, she ends the bridge with “Maybe I am crazy too”. Crazy in love? Crazy in love with him? Not sure.
The pre-bridge is pretty amazing too. “I’m gonna soak up the sun / While it’s still free”: some of the best things in life are free and you can take advantage of them. “I’m gonna soak up the sun / Before it goes out on me”: she’s going to live her life to the fullest because one day, like it does for everyone, life for her will end. Yes. This is definitely worth deeper thought than you imagined for a piece of surf pop fluff, isn’t it? It’s the song equivalent of an antidepressant: she’s trying to get her guy to look at the bright side of things. She knows how difficult it is to do it, and therefore she’s the best person to show him, because she’s been through it too.
And then at the end of the song comes my favourite part of the song. “I’m gonna soak up the sun / Got my 45 on /
So I can rock on”. Music keeps her going. As it does for me too.
Lastly, the song, presented in that carefree, surfer-y promo video that does the meaning behind the song no favours!
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