Category Archives: Song Analysis

Song Analysis #5: Meredith Brooks – Bitch

Title: ‘Bitch’
Where to find it: ‘Blurring the Edges’ (1997, Capitol)
Performed by: Meredith Brooks
Words by: Meredith Brooks

After the heaviness of last week’s analysis of Two Door Cinema Club’s ‘Sleep Alone’, it’s time for something a bit lighter.

When this song came out, the thing I remember most about the music video was Meredith Brooks’ shiny Gretsch Sparkle Jet guitar. You didn’t see women rocking out on MTV or VH1 much those days – or even now. Eventually, a search for cool looking Gretsch guitars led me to their basses. When I was 16 I wanted one in purple to hang on my wall, not to play it. Never in a million years would I guessed that years later I would playing a bass. (And not a purple one!)

It’s unfortunate that ‘Bitch’ got a second life in the Mel Gibson leg shaving scene in the film What Women Want, but a second life is better than not having one at all, yeah?

First, the words:

Verse 1
I hate the world today
You’re so good to me
I know but I can’t change
Tried to tell you
But you look at me like maybe
I’m an angel underneath
Innocent and sweet

Yesterday I cried
You must have been relieved to see
The softer side
I can understand how you’d be so confused
I don’t envy you
I’m a little bit of everything
All rolled into one

Chorus
I’m a bitch, I’m a lover
I’m a child, I’m a mother
I’m a sinner, I’m a saint
I do not feel ashamed
I’m your hell, I’m your dream
I’m nothing in between
You know you wouldn’t want it any other way

Verse 2
So take me as I am
This may mean
You’ll have to be a stronger man
Rest assured that
When I start to make you nervous
And I’m going to extremes
Tomorrow I will change
And today won’t mean a thing

Chorus
I’m a bitch, I’m a lover
I’m a child, I’m a mother
I’m a sinner, I’m a saint
I do not feel ashamed
I’m your hell, I’m your dream
I’m nothing in between
You know you wouldn’t want it any other way

Bridge
Just when you think, you got me figured out
The season’s already changing
I think it’s cool, you do what you do
And don’t try to save me

Chorus
I’m a bitch, I’m a lover
I’m a child, I’m a mother
I’m a sinner, I’m a saint
I do not feel ashamed
I’m your hell, I’m your dream
I’m nothing in between
You know you wouldn’t want it any other way

Modified chorus
I’m a bitch, I’m a tease
I’m a goddess on my knees
When you hurt, when you suffer
I’m your angel undercover
I’ve been numb, I’m revived
Can’t say I’m not alive
You know I wouldn’t want it any other way

Now, the analysis:

‘Bitch’ by Meredith Brooks was the focus of controversy the second it got distributed to radio stations. What a terrible title, how will we announce it, heavens! Most people didn’t even stop long enough to examine the lyrics, which were an amazing collection of cheeky attributes of every woman. Or every man, for that matter. We are kaleidoscopes, multi-faceted. Even if we show the world one face and think our lives are simple, what’s inside is a bubbling cauldron of emotions. The whole song is a study of how someone loved can be an enchanting, beguiling personality with emotional outbursts and dark moments, and that person is totally okay with these mercurial tendencies. Humans are complex beings. You might not agree outright, but I think we all have a little of this “Bitch” in all of us, boys and girls, men and women. And that’s not a bad thing at all.

Verse 1 addresses Meredith Brooks’ anger or a crying jag and its effects on her lover. “Tried to tell you / But you look at me like maybe / I’m an angel underneath / Innocent and sweet”: is this what most men think of their women? That they must be innocent and naive? I got this sort of reception from my first boyfriend and became immediately indignant as being called out as “a wee innocent lamb”. I don’t think anyone, male or female, appreciates being called “innocent” in a relationship, because being a relationship is A Grown-Up Thing to Do. This verse is also the first moment where she kind of pokes her lover and says, “look, this is the way I am, don’t try to fix me”.

The first chorus, and all successive choruses that follow, emphasises the extremes in her personality and she “does not feel ashamed” for having strong feelings. It’s an incredible singalong. Put this on in the car with the windows rolled down, shouting these words.

The bridge revisits the “don’t try to fix me” motif. “Just when you think, you got me figured out / The season’s already changing / I think it’s cool, you do what you do / And don’t try to save “: she’s saying that’s cool that you’re by my side, I appreciate that. But I don’t need any “saving”. This is me, and I don’t need fixing or changing.

Lyrically, I find the outro to be the most brilliant. She’s acting how someone should when in love and she can flirt like the best of them (“I’m a bitch, I’m a tease / I’m a goddess on my knees”) but ultimately, she will be there to care for her lover when neede (“When you hurt, when you suffer / I’m your angel undercover”). “I’ve been numb, I’m revived / Can’t say I’m not alive / You know I wouldn’t want it any other way”, what does that say about her? She is a survivor. She has hurt, she has flatlined emotionally. But she is alive now, in the body and skin she’s in. No regrets.

Lastly, the song, with its original gravity-defying video.

Song Analysis #4: Two Door Cinema Club – Sleep Alone

Title: ‘Sleep Alone’
Where to find it: ‘Beacon’ (2012, Kitsune [UK], Glassnote [US], in early September)
Performed by: Two Door Cinema Club
Words by: guessing Alex Trimble.

Both Delphic and Two Door Cinema Club’s debut albums came out in 2010, and I adore both. I liked Delphic’s a tick more, because the content felt more intellectual to me. Well, the tables may have been turned, as Two Door has revealed the first single from their second album, ‘Beacon’, and it’s miles away a better song lyrically than Delphic’s London 2012 Olympics single ‘Good Life’. Unlike the previous analyses, I’m going to group my thoughts under headings to make the analysis a little easier to digest.

First, the words:

Verse 1
Know, my only goal is to see
When I’m only fast asleep
It takes more than strength to find
This peace of mind

So I’ll hold, hold, hold
Hold it close to my heart
Beating with every step
Hold, hold, hold it close

Chorus
He sleeps alone
He needs no army where he’s headed
‘Cause he knows
That they’re just ghosts
And they can’t hurt him if he can’t see them, oh
And I may go
To places I have never been to
Just to find
The deepest desires in my mind

Verse 2
We, we only know what we see
‘Cause we’re always fast asleep
Is it so hard not to believe
That we’ll never know

Oh, hold, hold, hold
Hold me close
I’ve never been this far from home
Hold, hold, hold me close

Chorus
He sleeps alone
He needs no army where he’s headed
‘Cause he knows
That they’re just ghosts
And they can’t hurt him if he can’t see them, oh
And I may go
To places I have never been to
Just to find
The deepest desires in my mind

Bridge
It’s in my head
And I have said
That I must be like him now
He sleeps alone
He sleeps alone
And one last chance
To make sense
Of what has long escaped us
He sleeps alone
I sleep alone

Final chorus and outro
He sleeps alone
He needs no army where he’s headed
‘Cause he knows
That they’re just ghosts
And they can’t hurt him if he can’t see them, oh
And I don’t know if in the morning I will be here
And if so
Let it be known
That I was worthy, I was worthy, I was worthy, I was
Oh….

Now, the analysis, with my thoughts grouped by topic category:
Reaching enlightenment
Don’t laugh, but this is what verse 1 first said to me. Seeing when you’re fast asleep – and in another consciousness – is something yogis do. Knowing the guys though, I doubt this is what they were trying to convey. It’s just come out that way. “Know, my only goal is to see / When I’m only fast asleep / It takes more than strength to find / This peace of mind”: it’s hard to clear your mind of things and get to a zen state. It is also very difficult to think when your life is running a mile a minute. Or when you’re on drugs.

Mortality
The start of the chorus: “He sleeps alone / He needs no army where he’s headed / ‘Cause he knows / That they’re just ghosts” – need I say more? This could be viewed as someone who had died or is in the process of dying. If you believe in the idea of heaven and afterlife, you’re alone from the point you die until you make it through the pearly gates. He needs no protection (the “army”) because there is no danger passing from the physical living world to the spiritual one.

This theme is repeated in the second half of verse 2: “Oh, hold, hold, hold / Hold me close / I’ve never been this far from home” – this person has left the life he has known on earth, to somewhere entirely different.

The human condition

I’m on the fence on the way the first chorus ends. “And I may go / To places I have never been to / Just to find / The deepest desires in my mind”: has he ended his life to see if he can transcend what it means to be human to find spiritual enlightenment? Or, is this “desire” more human, like being in love with someone?

War / Soldiers
The following line “And they can’t hurt him if he can’t see them, oh” is less convincing. Reminds me of the Ravenous Bugblatter Beast of Traal of The Hitchhiker’s Guide to the Galaxy fame, but also points to the fact that this person being described is some kind of soldier. The thinking that the enemy can’t hurt you if you can’t seem him/them is naive at best; of course the enemy can hurt you even if you don’t see them. Land mines? Snipers?

Social consciousness
The first part of verse 2 is just fab. “We, we only know what we see / ‘Cause we’re always fast asleep”: the admittance that we’re just sheeple. We’re “asleep”, on auto-pilot, we don’t *do* anything of value. Then we get to the line “Is it so hard not to believe / That we’ll never know”. This reinforces the idea that this idea is about mortality, god, and what happens after we die. No one knows really what happens after we die, right?

Changing point of view
Here, in the bridge, Two Door is doing a reversal of roles. It feels now that it’s a woman speaking to a man. It sounds to me that the woman is realising in order to understand her man fully, she has to take the same path as he: in this case, the search for enlightenment. Alternatively, it could mean someone trying to understand someone else’s mental illness, like a war vet with post-traumatic stress disorder, in order to try and help this person.

“It’s in my head / And I have said / That I must be like him now / He sleeps alone” represents wanting to comprehend what the other is thinking and feeling. If it is the boyfriend/girlfriend case, the lines “And one last chance / To make sense / Of what has long escaped us / He sleeps alone / I sleep alone” indicate the girlfriend’s willingness to “sleep alone” in order to find “what has long escaped us” in the hopes to salvage their relationship. If it’s the mental illness case, the lines point to the person’s heartfelt desire to help this person.

Suicide (double suicide?)
“And I don’t know if in the morning I will be here”: this is the part of the song where I can feel my heart breaking. If the person who is described as “he sleeps alone” is so out there and can’t be saved (and maybe will be die?), perhaps the only solution to leave, either physically to another location (or to also die). “And if so / Let it be known / That I was worthy, I was worthy, I was worthy, I was / Oh….”: doesn’t this sound like something someone who is deeply religious would say?

In short? This song ‘Sleep Alone’ is far more complicated than I’d guess 99% of the people listening to it even begins to realise. Somehow, the “he” in “he sleeps alone” is unreachable; whether he’s in a good or not so good place isn’t clear. Neither is whether he’s gotten to this place because of something out of his control (like mental illness) or he had a direct hand in getting there (like becoming a drug addict). But it’s very evident the song doesn’t have a happy ending: “let it be known / that I was worthy” is a goodbye. The fact that I could write this much about “a mere pop song” says so much about what great songwriters Two Door Cinema Club. If this is what the rest of the album is going to be like, ‘Beacon’ could be the album of the decade. ‘Sleep Alone’ is just brilliant.

Lastly, the song, with handy lyrics provided by the band themselves. Not a fan of the over the top image of a woman’s backside and her frilly knickers (I’ve never ever seen knickers with ruffles like that!) but next time I see the band, I will say to them, “boys. album cover. LAD.”

Song Analysis #3: Marc Cohn – ‘Walking in Memphis’

Title: ‘Walking in Memphis’
Where to find it: ‘Marc Cohn’ (1991, Atlantic)
Performed by: Marc Cohn
Words by: Marc Cohn

First, the words:

Verse 1
Put on my blue suede shoes and
I boarded the plane
Touched down in the land of the Delta Blues
In the middle of the pouring rain

W.C. Handy
Won’t you look down over me
Yeah, I got a first class ticket
But I’m as blue as a boy can be

Chorus
Then I’m walking in Memphis
I was walking with my feet ten feet off of Beale
Walking in Memphis
But do I really feel the way I feel?

Verse 2
I saw the ghost of Elvis on Union Avenue
Followed him up to the gates of Graceland
Then I watched him walk right through

Now, security did not see him
They just hovered round his tomb
But there’s a pretty little thing
Waiting for the King
And she’s down in the jungle room

Chorus (slightly modified)
When I was walking in Memphis
I was walking with my feet ten feet off of Beale
Walking in Memphis
But do I really feel the way I feel?

Verse 3
Now, they’ve got catfish on the table
They’ve got gospel in the air
And Reverend Green, be glad to see you
When you haven’t got a prayer
But boy you got a prayer in Memphis

Now, Muriel plays piano
Every Friday at the Hollywood
And they brought me down to see her
And they asked me if I would
Do a little number
And I sang with all my might
She said, “Tell me are you a Christian, child?”
And I said, “Ma’am, I am tonight!”

Chorus x2
Walking in Memphis
I was walking with my feet ten feet off of Beale
Walking in Memphis
But do I really feel the way I feel?

Walking in Memphis
I was walking with my feet ten feet off of Beale
Walking in Memphis
But do I really feel the way I feel?

Outro
Put on my blue suede shoes and I
Boarded the plane
Touched down in the land of the Delta Blues
In the middle of the pouring rain

Touched down in the land of the Delta Blues
In the middle of the pouring rain

Now, the analysis:

There was piano in pop music. It was either before Coldplay and after Coldplay. I feel for the kids younger than me, for Coldplay (and maybe Keane for some of the smarter ones) is all they know when they think of piano being used in popular song. Uh, no. ‘Walking in Memphis’ by Cleveland-born singer/songwriter Marc Cohn shows how piano can be used in a pop song as an emphatic declaration of feeling. The lyrics are none too shabby either, as they touch on the mythology of Memphis, Tennessee, not only as the (in)famous hometown of Elvis Presley, but as its position in America’s Bible belt and as the physical northern border of where the Delta blues were considered to have originated in America’s South.

I’m not a religious person by any means, but there is something so stirring so powerful in the words “She said, ‘Tell me are you a Christian, child?’ / and I said, ‘Ma’am, I am tonight!'”, you want to get up out of your chair and shout. This song takes all the best parts of the South and puts them forth: “W.C. Handy, won’t you look down over me” (the unofficial “leader” of the Delta Blues movement, looking down on earth from heaven), “crawfish on the table” (the food), “Beale” (one of the main drags of downtown Memphis), prayer and singing in a church. “Hollywood” not to the one in Los Angeles but to a northern Memphis neighbourhood more famous for its gang violence, presumably where African-Americans would more likely be gathering in a church to sing religious hymns. [Update: See comment #1 to the post from Robert Hardeman, who explains that “Hollywood” refers to an actual restaurant and bar where Muriel is playing.]

While most of the lyrics are obvious, my ear turns to “I was walking with my feet ten feet off of Beale”. Is he a ghost, ala Bruce Willis’ character in The Sixth Sense? It seems that he must be human and alive, if he’s being asked to play piano by Muriel in the church. Still, I wonder…

Other great lines: “and Reverend Green, be glad to see you / when you haven’t got a prayer / but boy, you got a prayer in Memphis”: to me, that’s the essence of what Christianity – and religion – should be that so many people who claim to be Christians seem to have forgotten. Faith is something you can believe in. It shouldn’t be something you’re embarrassed by when you see and hear what others of your faith are saying or doing.

Lastly, the song, via its original promo video.

https://www.youtube.com/watch?v=KK5YGWS5H84