Category Archives: Song Analysis

Song Analysis #14: New Order – Bizarre Love Triangle

Title: ‘Bizarre Love Triangle’
Where to find it: ‘Bizarre Love Triangle’ 12″ single (1986, Factory Records)
Performed by: New Order
Words by: presumably Bernard Sumner

I have a great love of ’80s New Wave. Even before I could comprehend who the bands were that were responsible for songs I heard on the radio, I loved them. Sometimes I wish I still had that innocent, wide-eyed ability to listen to songs without any preconceived notions because now as a music editor, I usually have some background knowledge of a band and/or can compare new artists coming out with some group that’s come before and that colours the way I will receive the music.

‘Bizarre Love Triangle’ was a song I fell in love with initially for the electronics and synths, so it’s quite funny that my first radio run-in with Steve Lamacq live on 6music included him calling me “the sucker for the synth”, which used to describe me very well. (These days, I listen to a lot more back to basics rock ‘n’ roll – it’s a long and sordid story – and synth-driven dance music has taken a backseat in my life.) But I will still queue up this New Order track and remember those childhood days when all that important to me about a song was a beat you could dance to.

First, the words:

Verse 1
Every time I think of you
I feel shot right through with a bolt of blue
It’s no problem of mine
But it’s a problem I find
Living a life that I can’t leave behind
There’s no sense in telling me
The wisdom of the fool won’t set you free
But that’s the way that it goes
And it’s what nobody knows
Well every day my confusion grows

Chorus
Every time I see you falling
I get down on my knees and pray
I’m waiting for that final moment
You’ll say the words that I can’t say

Verse 2
I feel fine and I feel good
I’m feeling like I never should
Whenever I get this way
I just don’t know what to say
Why can’t we be ourselves like we were yesterday
I’m not sure what this could mean
I don’t think you’re what you seem
I do admit to myself
That if I hurt someone else
Then I’ll never see just what we’re meant to be

Chorus x2
Every time I see you falling
I get down on my knees and pray
I’m waiting for that final moment
You’ll say the words that I can’t say

Every time I see you falling
I get down on my knees and pray
I’m waiting for that final moment
You’ll say the words that I can’t say

Now, the analysis:

I should start this analysis with the fact that many New Order fanatics think this song is about drugs. However, going on from my introduction to this post, I’m going to assume this isn’t true and go with what was my gut feeling once I tried to grasp the song’s meaning when I was a teenager.

I’ve been involved with a couple love triangles that I would definitely call bizarre. And frustrating. But this post will describe what I went through when I was in school. I don’t know if it had to do with my maturity or my introvertedness, which has admittedly gotten better over the years by forcing myself to interact with like-minded music fans and the bands I have grown to love. But much of my high school life revolved around acting as a young Dear Abby to my friends, guys and girls who were in emotional turmoil because they weren’t sure if they should ask Girl X out on a date or they were scared to death about asking Guy Y if he wanted to go to the homecoming dance. The phone in our kitchen would ring when I was doing my maths homework and I’d answer, knowing that inevitably on the other end of the line would be a friend needing relationship advice. Why they came to me, I don’t know. Maybe they knew they could trust me (I wasn’t a gossip) and I wouldn’t judge.

This is something about my personality that continues to this day. I guess that’s why my interviews with bands always come out well. Some bands have told me that talking to me is like coming to talk to a therapist and they’re willing to tell me their innermost thoughts because they can sense they can trust me. And hearing that feels quite good that I am trusted.

Often times with my school friends, I’d be facing a difficult internal battle inside, especially if the boy in the situation, either the one asking me directly for advice or the one who was going to be asked, was someone I borderline fancied. In such a situation, you start to wonder why you’re not the one being asked and it can be quite hurtful. At the time, I took it very badly internally but had to keep a brave face on the outside because at the time, my self-esteem had taken such a hit: I had been very ill as a child and I never considered myself attractive or worthy of anyone’s attention.

“But that’s the way that it goes / And it’s what nobody knows / Well every day my confusion grows”: a lot about being in love has to do with the mixed up way it makes you feel. I was never in love with any of these boys I knew in school; when you’re that age, everything tends to be really superficial and the attraction ends up being about looks and popularity and the thought that “going out” with someone meant fun times. I was a bookworm boffin and not popular, though oddly I was friends with several jocks who came to me needing help with their German or calculus. In particular, there was one guy I knew who was known as our school’s track star and everyone liked him.

I have no idea why he would hang around me in the early mornings before class began and he certainly never showed any romantic interest, but boy was I upset inside when I saw him going to dances with other girls. And I just accepted he’d never ask me. “There’s no sense in telling me / The wisdom of the fool won’t set you free”: does this translate to “ignorance is bliss”? Not sure. But even back then, hearing the words “there are plenty more fish in the sea” would make my blood boil. It provokes the same reaction in me. I’m the kind of person who doesn’t fall in love very often. In fact, I’ve fallen in love exactly 3 times in my life. I think when I was younger I just assumed that the Right One would come along and I would know it, but the first 2 times, I’d made a horrible mistake. This third time remains to be seen…

In ‘Bizarre Love Triangle’, I particularly like the chorus for not just the way Bernard Sumner sings it – which in my opinion is as emotional and full of longing as you’re going to get in a dance song – but for what it says to me. “Every time I see you falling”, every time you’re in a bad spot and you might need my support, “I get down on my knees and pray / I’m waiting for that final moment / You’ll say the words that I can’t say”, you’ll realise that what you needed and wanted all along was right in front of you and you’ll be able to say you love me. How many times have you wished such to happen and it never did? How many times have you prayed or asked a divine being for guidance because you really wanted something or someone and you were hoping for assistance?

Maybe it is something about specifically about childhood, about not knowing about what adult life is all about, that makes us think things that happen are total and final. I recall my brother saying, “no one is going to care about your high school GPA after you get into college. Let it go.” But young minds don’t work that way. The kids that came to me for relationship advice? They thought their lives would be over if they asked out someone they liked and the other person said no. Because we had next to no experience in rejection. And what constituted “love” for that matter. If only we all knew back then how little things these things would mean in the whole of our lives.

Who said electronic couldn’t be emotional? They certainly haven’t listened to New Order.

Lastly, the song in two forms, first with its strange trampoline-centred promo video by American artist Richard Longo, and second, video of when I finally got to see Sumner perform this song live with his then band Bad Lieutenant at Roskilde 2010. (My less great video is here.) Let’s just say about the latter that I was verklempt.

Song Analysis #13: Sheryl Crow – Soak Up the Sun

Title: ‘Soak Up the Sun’
Where to find it: ‘C’mon C’mon’ (2002, A&M)
Performed by: Sheryl Crow
Words by: Sheryl Crow

I know all the lyrics to this song by heart. Why? I roomed with a friend one year and he was working as musical director of an a capella group, and he arranged this song for their singers. He must have played the hell out of that song, oh, hundreds of times and I could heard it through the walls of our flat.

When I went out for a run last Sunday, I queued this song up on my mp3 player and wham, bam! The song had a completely different meaning to me than it did years ago. Just wow. A quote from one of my favourite films seems particularly apt right now: “Sometimes we don’t see certain things until we’re ready to see them in a certain way”. Indeed.

First, the words:

Verse 1
My friend the communist
Holds meetings in his RV
I can’t afford his gas
So I’m stuck here watching TV

I don’t have digital
I don’t have diddly squat
It’s not having what you want
It’s wanting what you’ve got

Chorus
I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up
I’m gonna soak up the sun
I’m gonna soak up the sun

Verse 2
I’ve got a crummy job
It don’t pay near enough
To buy the things it takes
To win me some of your love
Every time I turn around
I’m looking up, you’re looking down
Maybe something’s wrong with you
That makes you act the way you do

Chorus
I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up

Pre-bridge
I’m gonna soak up the sun
While it’s still free

I’m gonna soak up the sun
Before it goes out on me

Bridge
Don’t have no master suite
But I’m still the king of me
You have a fancy ride, but baby
I’m the one who has the key
Every time I turn around
I’m looking up, you’re looking down
Maybe something’s wrong with you
That makes you act the way you do
Maybe I am crazy too

Chorus
I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up

I’m gonna soak up the sun
I’m gonna tell everyone
To lighten up (I’m gonna tell ’em that)
I’ve got no one to blame
For every time I feel lame
I’m looking up

Outro
I’m gonna soak up the sun
Got my 45 on
So I can rock on

Now, the analysis:

There’s definitely more to this song than meets the eye, and it’s very interesting in that respect, because I am positive when the song came out years ago, it came across to most people as a poppy, peppy, sunny, song of fluff. The official video that goes with it does not help matters. But it’s not a straightforward love song but rather one that shows the voice of the song appealing to her other half to stop being depressed and look on the bright side of life. (No Monty Python jokes, please.)

One theme of this song is money can’t buy you happiness. Our protagonist “can’t afford his gas” to get to her boss’ meeting, she’s watching tv without digital cable (oh, the horror!), yet she fully recognises “It’s not having what you want / It’s wanting what you’ve got”, probably one of the best lines about life ever written. It’s very true. We get so caught up with keeping up with the Joneses and coveting our friends’ gadgets and lifestyles that we forgot all too often that our lives, as they are, are pretty damn good. My grandmother used to repeat the adage, “you have health, you have everything.” I used to hate it when she repeated that phrase over and over again, but I’ve come to the point where I agree with her entirely. No-one’s lives are perfect, but what we do have, whatever it is we have, is pretty good. We’re alive. We have things to look forward to when we get up every morning.

But if you’re suffering from depression, you don’t feel that. I’ve been through some pretty bad times. Important people in my life passing away. Being in hospital and very poorly. Even these days every once in a while, I’ll get up and wave my fist at the sun when I’m particularly blue. It’s like the sun is mocking me. Everyone else is happy that the sun is shining…but I haven’t gotten the memo. For those moments, it’s a struggle, but in order to live, you’ve got to force yourself and think “I’m looking up” in “every time I feel lame”.

Which leads me to what I think this is a unique twist to the song: the person singing it has troubles in her life too, she’s not perfect either! But she’s coping, as evidenced in the bridge. She’s not wealthy, but she’s in control, which is most important to her (“Don’t have no master suite / But I’m still the king of me”). She sees her other half with “a fancy ride” but insists “I’m the one who holds the key”. Is the key happiness for him, her being able to give him this happiness? It’s not literally the key to drive the car, of course. “Every time I turn around / I’m looking up, you’re looking down”: she’s trying to be positive, but he’s always down in the dumps. “Maybe something’s wrong with you / That makes you act the way you do” – hmm, is this the depression? Is she spelling it out for him? It’s almost like she’s trying to give him an out. But to bring levity to the situation, she ends the bridge with “Maybe I am crazy too”. Crazy in love? Crazy in love with him? Not sure.

The pre-bridge is pretty amazing too. “I’m gonna soak up the sun / While it’s still free”: some of the best things in life are free and you can take advantage of them. “I’m gonna soak up the sun / Before it goes out on me”: she’s going to live her life to the fullest because one day, like it does for everyone, life for her will end. Yes. This is definitely worth deeper thought than you imagined for a piece of surf pop fluff, isn’t it? It’s the song equivalent of an antidepressant: she’s trying to get her guy to look at the bright side of things. She knows how difficult it is to do it, and therefore she’s the best person to show him, because she’s been through it too.

And then at the end of the song comes my favourite part of the song. “I’m gonna soak up the sun / Got my 45 on /
So I can rock on”. Music keeps her going. As it does for me too.

Lastly, the song, presented in that carefree, surfer-y promo video that does the meaning behind the song no favours!

Song Analysis #12: Van Susans – Glow

Title: ‘Glow’
Where to find it: ‘We Could Be Scenery’ EP (2011, Beatnik Geek)
Performed by: Van Susans
Words by: Olly Andrews and Eddie Dullaway

First, the words:

Verse 1
She makes me feel like I’m glowing like starlight
My insides can set fire and burn from the outside
And I wouldn’t stop her for all she did to me
She leaves me burnt and me still craving her

How could you do this to me?
I have been nothing but good to you
Maybe I should play the bad ass
Maybe I should have played you too?

But I could never bring myself to do that
And I don’t even know where I’d start
And you said all the things I wanted to hear
After tearing me apart

Chorus
And all the times that we had, and all the pictures that I took
I’ll take a flame to it all, without another look
You left me burnt, but I have learnt from you
You left me burnt, but I have learnt from you

Verse 2
Sometime I wish I were a little taller
So you would love me a little bit more
Maybe then this would all be over
And I wouldn’t be walking out that door

And everything we had
Yeah, everything we ever had
You took a flame to all of our plans
And I don’t expect you to understand

Chorus
All the times that we had, and all the pictures that I took
I’ll take a flame to it all, without another look
You left me burnt, but I have learnt from you
You left me burnt, but I have learnt from you

Instrumental bridge, then lyric bridge, then followed by shorter instrumental bridge
She made me feel like I’m glowing like starlight
Now all she can do is to watch me burn

Chorus
All the times that we had, and all the pictures that I took
I’ll take a flame to it all, without another look
You left me burnt, but I have learnt from you
You left me burnt, but I have learnt from you

Extended outro
‘cause she made me feel
Like starlight, like starlight
And ‘cause she made me feel
Like starlight, like starlight

Now, the analysis:

Van Susans came to my attention in late 2010, during a particularly dark period in my life. Their manager David sent me an advance copy of their debut EP ‘We Could Be Scenery’ and like everything else I receive, I queued it up with a jaundiced eye and a cynical brow. From just five songs, I could tell this band of six just “had” it. Initially, it was single ‘Bones’ that caught my ear first, with its lyrics of a young man’s bombast and invincibility , later inevitably felled by what I thought then was heartbreak. Now I think about it more as possibly being about life’s trials and tribulations and it might not be a love song at all. Funny how that the longer you sit with a song very special to you, as time goes on it can reveal more than originally meets the eye, like a flower bud that blooms and unfurls its petals to you, each second looks different than it did in the previous…

But today’s piece is about the final track on the EP, ‘Glow’. One of the lasting pieces of imagery I have from history in my schooldays was when we were being taught about colonial India and the caste system. It’s rather interesting to me that India, having been a British colony, independently developed a detrimental class system from its masters. It’s been impressed on me by quite a few of my friends, mostly from the Midlands and the North, that there is a massive class divide in the UK. (In America, while class and wealth is of course an issue, I personally find that the race divide is much wider in comparison.) Going back to colonial India, having self-immolation as a method of nonviolence by an Indian protesting his British masters described to a young me by a teacher was an image that became burned, no pun intended, into my mind forever.

The other thing I recall about self-immolation was of the old (and possibly still continuing?) Indian tradition of wives, regardless of class, throwing themselves on the funeral pyre of their dead husbands. Because according to Indian culture, one of the many patriarchal societies in Asia, a wife’s life was worth nothing if her husband was dead. So fire and death have always been connected in my mind. It’s gotten so bad that I often have nightmares of being burnt, being on fire or even my whole bedroom up in flames, and I am jolted awake. One time I even leapt from my bed, hitting the sill of my window with my back and falling on my bass. I woke up in tears, seeing that my guitar stand had broken my fall and it itself was broken, though luckily my bass sustained no injuries. Freud and Jung would probably have a field day with my dreams…

‘Glow’ utilises the imagery of fire not one, not four different ways! The first way, and the most obvious, is the literal use taking a flame “to it all”, to destroy what had come before. The song’s protagonist uses “I’ll take a flame to it all” in the chorus, but also alludes to his lover “And everything we had / Yeah, everything we ever had / You took a flame to all of our plans / And I don’t expect you to understand”. Part of the previous first half of the verse “Maybe then this would all be over / And I wouldn’t be walking out that door” indicates conflict, so it’s not readily apparent who is at fault. Interesting dichotomy. But all will be revealed in all due time…

This first way is very powerful to me. When I heard the song, I equated it to my desire then to physically destroy every last piece of evidence of a man who had previously been so important in my life. I had spent so much time and effort writing about him and photographing him that I thought the only way to get him out of my mind was this physical destruction, that it was a means to an end. In my mind, I relished standing in my back garden with a match and lighting “all the pictures that I took” in “all the times that we had” together, watching them turn into ash in the air. Last Christmas I went through a drawer full of items related to him and threw everything out except what legitimately could be considered pieces to my work portfolio as a music journalist and editor; I’m glad I hadn’t burned everything to bits because regardless of how I felt about him personally, the work I’d done, all the hours I’d spent to help promote him was a reflection not on how badly he treated me but instead of the great pride I’d taken in doing what I did best: write.

The second way is in the second half of the chorus: “You left me burnt, but I have learnt from you”. It’s almost like our protagonist is thanking his lover: yes, you hurt me, but I’ve learned from the experience. It’s not all bad. It was hard for me to see this through my tears but I have come to appreciate this line for what it truly means: we all go through heartbreak but like Kelly Clarkson said famously, “what doesn’t kill you makes you stronger”.

Hopefully this doesn’t confuse too much, but I’m going to go back to the start of the song for the third way Olly Andrews and Eddie Dullaway use fire imagery in ‘Glow’ and examine it line by line. Don’t worry, I’ll come back to the end of the song in a minute when describing the fourth way, and you’ll see how neatly the end of song will bring you full circle. The first line of the first verse: “She makes me feel like I’m glowing like starlight”. What is this? It seems obvious to me. It’s when you’ve fallen in love with someone and he/she has put you on a pedestal, that’s you’re perfect and wonderful. Then the next line: “My insides can set fire and burn from the outside”. I’m on the fence about this line. On one hand, in line two, while he’s in love, he’s feeling so wonderful about himself that nothing can touch him. Someone could set him on fire and he wouldn’t notice. On the other hand, there is simultaneous burning from the inside AND the outside. I read this as his insides are burning because he’s in love, he’s full of desire and hope from his lover. But he also appears to be burning from the outside because of what his lover is doing to him: “And I wouldn’t stop her for all she did to me / She leaves me burnt and me still craving her”. She’s done something to him – hurt him somehow – and he’s left burnt, but like a junkie, he wants to have her back in his life again. As badly as the ones that we love can hurt us, if we’re still in love with that person, it doesn’t matter. We want that person come round again for us.

The next group of lines truly hit home for me: “How could you do this to me? / I have been nothing but good to you / Maybe I should play the bad ass / Maybe I should have played you too?” Okay, now we know what’s wrong. He was in love, he treated her like a princess, yet she played him. He’s asking himself, wow, maybe if I’d played you too, I wouldn’t be feeling so rotten right now. But he admits he’s too good of a person to do the same thing to her: “But I could never bring myself to do that / And I don’t even know where I’d start”. Adding further insult to injury, “And you said all the things I wanted to hear / After tearing me apart”. THIS. This happened to me. If you think heartbreak can’t get any worse, try having a carrot being dangled in front of our face by the very person you used to love, to have that person suddenly be nice to you after he/she has broken your heart, giving you entirely false hope that one day all will be well and you’ll be back together. I don’t know why people think it’s ok to act this way. If you’ve broken up with someone, if you’ve hurt someone, walk away. The person you hurt does not need to see you anymore. Don’t open up the old wounds and give them the impression that one day in the future you MIGHT have a future with that person. It’s cruel.

The fourth way, as I promised, finishes the song with the repeated “‘cause she made me feel / Like starlight, like starlight”. Oh my god. The way Olly Andrews sings this is nothing short of a miracle. As in the first line of the song, our protagonist recalls feeling the burning feeling of love in his whole body, as if he is a star emanating starlight. On a simpler level, he’s explaining how he felt like a star in her presence. But at the end of the song, the sentiment has changed. As much as you’d like to believe and pretend putting up a brave front, if you have a broken heart, even as much as you hate that other person for hurting you, there is always going to be a little piece of you that wants things to go back to the way they were.

You want that feeling of being in love again, of being the apple of someone’s eye, to feel that burning deep within, whether it be pride or just the self-esteem that yes, someone is in love with me and thinks I’m great. The delivery here is plaintive, as if Andrews’ whole heart and soul is crying out to the universe, his voice extending as if reaching to the heavens. I can’t even begin to tell you how many times I queued this track up in my car and how many red lights I ran because I was blinded by my own tears while singing along to the end of this song, thinking that the more times I sang the song and the louder I sang, the words and my voice would reach the man I loved and he would realise he’d made a mistake.

If you were wondering what happened to that guy who hurt me, he’s gone. Out of my life. He’s never going to ever be part of my life again. I saw him a couple of weeks ago and he was a complete jerk to me. Sometimes I wish he’d been a jerk to me the first time we met, so I would have seen his true colours straight away and I never would have spent years of my life in such a state of hopeless disarray. But life is never that simple and like they say, love is blind. And I’m okay now. I can listen to ‘Glow’ now with a smile and say to myself, yes, I’ve learned from my mistakes and I’ve learned from the way he treated me, I know what not to put up with. And now I can go forward and love someone else with no regrets.

Lastly, the song, two versions of the song, one performed live on a local to Bromley radio station in February 2011, and the other the original from the EP.

https://www.youtube.com/watch?v=D2rqeYTKLrU

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